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How many female type designers do you know?: I know many and talked to some!
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1. Person/Familie Popova, Yulia [VerfasserIn]
Titel How many female type designers do you know?: I know many and talked to some!
Verantw.-ang. Yulia Popova
Weitere Sachtitel Book about female type designers
Weitere Sachtitel TypeFaces. Women in type design
Verlagsort (RDA) Eindhoven
Verlag (RDA) Onomatopee
E-Jahr 2020
E-Jahr (RDA) [2020]
Umfangsangabe 319 Seiten : Illustrationen
Formatangabe 20 cm
Titel der Serie Onomatopee; 184
Weitere Angaben Erscheinungsjahr auf der Verlagshomepage ermittelt.
Anm. Nebentitel Abweichender Titel auf Seite [1] Book about female type designers. - Arbeitstitel: TypeFaces. Women in type design
ISBN 978-94-93148-32-1
ISBN 94-93148-32-7
Schlagwort / lok. Grafik-Designerin / Lexikon
Schlagwort / lok. Typografin / Lexikon
Inhaltliche Zsfg. This book aims to shine light on work of women in type. The first part of the book offers research on the gender issue in type design field. It includes statistics, data and an overview of some works that address this issue. Further it contains some biographies of female type designers that worked in the 19th and in the beginning of 20th century. These women contributed to the industry, yet they are rarely mentioned in educational material. The second part is a series of the interviews with 14 women that are either currently working as type designers or are in any other way involved in the field of type design. These interviews intend to uncover the topic of unequal share of female and male speakers at type conference as well as the lack of women in the industry. The last part of the book is a showcase of typefaces designed by women. The purpose of this part is to show the great amount and broad variety of such typefaces.
2. Inhaltliche Zsfg. Aus dem ursprünglichen Veröffentlichungskommentar: The book TypeFaces. Women in Type aims to shine light on the work of women in type. Besides that it should serve as an alternative educational material for people interested in type history. The first part of the book offers biographies of female type designers that worked in the 19th and the beginning of 20th century. These women contributed to the industry, yet they are rarely mentioned in educational material. The second part is a series of the interviews with 14 women that are either currently working as type designers or in any other way involved in the field of type design. Interviews intend to uncover the topic of unequal share of female and male speakers at type conference as well as the lack of women in the industry. The last part of the book is a showcase of typefaces designed by women. The purpose of this part is to show the great amount and broad variety of such typefaces. I started this project as my masters degree thesis at Weißensee Academy of Arts in Berlin, Germany and continue working on it.
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