Hochschule für Gestaltung - Bibliothek

Titel

[000052905]

Werner, Anna-Lena: Let them haunt us : how contemporary aesthetics challenge trauma as the unrepresentable. - Bielefeld : Transcipt Verlag, 2020. - 1 Online-Ressource (257 Seiten) . - (Image ; Volume 168)

ISBN 978-3-8394-5046-8

Cover -- Contents -- Acknowledgements -- Introduction -- 1.1 Structure -- 1.2 Methodology -- 1.3 Challenges -- 1.4 Current State of Research -- A History of Trauma -- 2.1 Railway Spine -- 2.2 Hysteria -- 2.3 Traumatic Neurosis and Shell Shock -- 2.4 Traumatic Neurosis of War -- 2.5 The Unrepresentable in Psychoanalysis -- 2.6 Female Trauma -- 2.7 PTSD -- 2.8 Body-Memory: Traces of Trauma -- 2.9 Collective Trauma and Terror -- 2.10 Cultural Trauma as a Social Construct -- 2.11 Truth and Trauma -- Challenging Trauma as the Unrepresentable -- 3.1 The Testimony: Transmitting Trauma, Performing Trauma -- 3.2 Secondary Traumatisation -- 3.3 Empathy as a Mode of Perception -- 3.4 The Unrepresentable in Trauma Studies -- 3.5 The Unrepresentable in the Aesthetic Theory of Adorno and Lyotard -- 3.6 Challenging Trauma as the Unrepresentable -- 3.7 Are Some Things Unrepresentable? -- 3.8 Intolerable Images -- 3.9 "To Remember, One Must Imagine" -- 3.10 "The Exercise Of Art" -- Trauma Narratives -- 4.1 Omer Fast -- 4.2 Janet Cardiff and George Bures Miller -- 4.3 An Infinite Story -- Trauma Spaces -- 5.1 Paul McCarthy -- 5.2 Forensic Architecture -- 5.3 Memories in Motion -- Trauma - Curational Perspectives -- 6.1 Space and Time Frame -- 6.2 Traumatised Art -- 6.3 Trauma in the Contemporary Art Museum -- 6.4 Contemporary Art on Conflict and Trauma in the War Museum -- 6.5 Aesthetic Strategies -- Conclusion and Outlook -- Bibliography -- List of Figures.

Ex.: E-Book

Titel

[000052905]
Werner, Anna-Lena: Let them haunt us : how contemporary aesthetics challenge trauma as the unrepresentable. - Bielefeld : Transcipt Verlag, 2020. - 1 Online-Ressource (257 Seiten) . - (Image ; Volume 168)
ISBN 978-3-8394-5046-8
Cover -- Contents -- Acknowledgements -- Introduction -- 1.1 Structure -- 1.2 Methodology -- 1.3 Challenges -- 1.4 Current State of Research -- A History of Trauma -- 2.1 Railway Spine -- 2.2 Hysteria -- 2.3 Traumatic Neurosis and Shell Shock -- 2.4 Traumatic Neurosis of War -- 2.5 The Unrepresentable in Psychoanalysis -- 2.6 Female Trauma -- 2.7 PTSD -- 2.8 Body-Memory: Traces of Trauma -- 2.9 Collective Trauma and Terror -- 2.10 Cultural Trauma as a Social Construct -- 2.11 Truth and Trauma -- Challenging Trauma as the Unrepresentable -- 3.1 The Testimony: Transmitting Trauma, Performing Trauma -- 3.2 Secondary Traumatisation -- 3.3 Empathy as a Mode of Perception -- 3.4 The Unrepresentable in Trauma Studies -- 3.5 The Unrepresentable in the Aesthetic Theory of Adorno and Lyotard -- 3.6 Challenging Trauma as the Unrepresentable -- 3.7 Are Some Things Unrepresentable? -- 3.8 Intolerable Images -- 3.9 "To Remember, One Must Imagine" -- 3.10 "The Exercise Of Art" -- Trauma Narratives -- 4.1 Omer Fast -- 4.2 Janet Cardiff and George Bures Miller -- 4.3 An Infinite Story -- Trauma Spaces -- 5.1 Paul McCarthy -- 5.2 Forensic Architecture -- 5.3 Memories in Motion -- Trauma - Curational Perspectives -- 6.1 Space and Time Frame -- 6.2 Traumatised Art -- 6.3 Trauma in the Contemporary Art Museum -- 6.4 Contemporary Art on Conflict and Trauma in the War Museum -- 6.5 Aesthetic Strategies -- Conclusion and Outlook -- Bibliography -- List of Figures.

Ex.: E-Book

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