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061 aohne Hilfsmittel zu benutzen
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070a BSZ
100b L000035640
aRamos, Afonso Dios
b[HerausgeberIn]
104b L000035641
aSnow, Tom
b[HerausgeberIn]
331 Activism
359 edited by Afonso Dios Ramos and Tom Snow
419 aLondon
bWhitechapel Gallery
c[2023]
419 aCambridge, Massachusetts
bMIT Press
c[2023]
419d c©2023
425a 2023
433 239 Seiten : Illustrationen
435 21 cm
501 Artists include: Ai Weiwei, Basel Abbas and Ruanne Abou-Rahme, Jennifer Allora and Guillermo Calzadilla, Tania Bruguera, Black Audio Film Collective, Andrea Fraser, Coco Fusco, Theaster Gates, Nan Goldin, Gulf Labor Coalition, Liberate Tate, Sethembile Msezane, Hito Steyerl, Temporary Services
501 Writers include: Ute Meta Bauer, Dave Beech, Judith Butler, Amílcar Cabral, Elias Canetti, Jodi Dean, T.J. Demos, Macarena Gomez-Barris, Gavin Grindon, Félix Guattari, Brian Holmes, Amar Kanwar, Jacques Rancière, Lucy Lippard, Nicholas Mirzoeff, Yates McKee, Achille Mbembe, Gerald Raunig, Aruna D'Souza, Françoise Vergès
501 Mit Bibliographie und Index
540a a0-85488-314-2
540 a978-0-85488-314-1
bpaperback
540 a978-0-262-54656-0
bpaperback
540 a0-262-54656-6
bpaperback
710 L000026996
aAktivismus / Kunst
710 L000024735
aPolitische Kunst
750 Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art's most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries
CAT aWEISEL
c20231115
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aDocuments of Contemporary Art
bBand 53
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