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IDN 000054609
001 000054609
002a 20240125
003 20240125
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060 aunbewegtes Bild
bsti
060 aText
btxt
061 aohne Hilfsmittel zu benutzen
bn
062 aBand
bnc
070a BSZ
100b L000026334
aNeri, Louise
b[HerausgeberIn]
104b L000015989
aRespini, Eva
b[HerausgeberIn]
108a L000017082
aBirnbaum, Daniel
b[VerfasserIn von ergänzendem Text]
112b L000014255
aForsythe, William
b[TänzerIn]
116a L000035926
aFoster, Susan Leigh
b[VerfasserIn von ergänzendem Text]
120a L000035927
aGroves, Rebecca M.
b[VerfasserIn von ergänzendem Text]
124a L000031372
aNesbit, Molly
b[VerfasserIn von ergänzendem Text]
128a L000035928
aSulcas, Roslyn
b[VerfasserIn von ergänzendem Text]
200b L000000278
aInstitute of Contemporary Art <Boston, Mass.>
4his
331 William Forsythe - Choreographic objects
359 Louise Neri, Eva Respini ; contributions by Daniel Birnbaum, William Forsythe, Susan Leigh Foster, Rebecca M. Groves, Louise Neri, Molly Nesbit, Eva Respini, and Roslyn Sulcas
370a Choreographic objects
419 aBoston
bThe Institute of Contemporary Art
c2018
419 aMunich ; London ; New York
bDelMonico Books - Prestel
c2018
425a 2018
433 227 Seiten
501 This book is published on the occasion of the exhibition "William Forsythe: Choreographic Objects", organized by Eva Respini, Barbara Lee, Chief Curator, with Jeffrey De Blois, Assistant Curator; The Institute of Contemporary Art/Boston, 31 October 2018-24 February 2019
540a a978-3-7913-5796-6
540a a3-7913-5796-4
655e 3Inhaltsverzeichnis
mV:DE-601
mB:DE-Wim2
qapplication/pdf
uhttp://www.gbv.de/dms/weimar/toc/1644115158_toc.pdf
xVerlag
710 L000006719
aForsythe, William
750 "What else, besides the body, could physical thinking look like? Choreographer William Forsythe asks this paradigmatic question in William Forsythe: Choreographic Objects, the first extensive publication dedicated to his provocative career in the intersecting disciplines of choreography, dance, and the visual arts. Published on the occasion of Forsythe's major exhibition at The Institute of Contemporary Art/ Boston, this landmark volume provides the first-ever comprehensive survey of the Choreographic Objects, a remarkable body of conceptual work that blurs the lines between performance, installation, sculpture, and video. Additionally, the richly illustrated volume offers illuminating context with original contributions from leading scholars and critics in the fields of the visual arts, choreography, and performance, together with an illustrated chronology of Forsythe's related dance repertoire"--
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