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Deviant design: the ad hoc, the illicit, the controversial
Inhaltstyp (RDA) Text
Medientyp (RDA) ohne Hilfsmittel zu benutzen
Datenträgertyp (RDA) Band
1. Person/Familie Martin, Craig [VerfasserIn]
Titel Deviant design: the ad hoc, the illicit, the controversial
Verantw.-ang. Craig Martin
Verlagsort (RDA) London ; New York
Verlag (RDA) Bloomsbury Visual Arts
E-Jahr 2022
E-Jahr (RDA) 2022
Umfangsangabe viii, 192 Seiten : Illustrationen
Weitere Angaben Includes bibliographical references and index
Hinw. auf parallele Ausg. Erscheint auch als (Online-Ausgabe): 978-1-350-03532-4
ISBN 978-1-350-03533-1 paperback
ISBN 978-1-350-03534-8 hardback
Bezugswerk Inhaltsverzeichnis
Bezugswerk Klappentext
Schlagwort / lok. Industrial-Design / 21.Jahrhundert
Schlagwort / lok. Social Design
Inhaltliche Zsfg. Expanding design -- 'Social design' is not social enough -- Valuing the deviant and the illicit -- Misuing things -- Illicit design -- Counterfeit design -- The ethics of change?
2. Inhaltliche Zsfg. "Craig Martin addresses the transgressive or deviant aspects of design: design that straddles the divide between the licit and illicit, the legal and illegal in a variety of ways. Martin argues that design is not necessarily for the social good; it is immersed in the social realm in all its contradictions and confusions. Through a series of case studies he explores a wide range of social practices that employ illicit forms of design thinking, including early computer hacking and present-day hacker culture in which everyday objects are repurposed and deliberately mis-used; reproduction, counterfeit, and pirated versions of classic and luxury designs, and the use of craft practices by smugglers to conceal drugs within consumer goods and luggage. Deviant Design contends that these amateur and illicit practices challenge the normative idea of the professional designer or maker - rather than being reliant on the services of institutionalised design professionals, the adhocist consumer-or 'prosumer'-displays particular forms of innovative design knowledge in how artefacts have an inherent potential to be misused or repurposed"--
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