|
| # |
|
|
Autor▲▼ |
Titel▲▼  |
Jahr▲▼ |
Exp. |
Signatur |
|
| 1 |
|
 |
Wenders, Wim |
Perfect days |
2024 |
1 |
Medienschrank 31/Wend/11 |
| 2 |
|
 |
Lee, Pei-Chin |
Der Beginn der Apokalypse |
2024 |
1 |
H/b/1659 |
| 3 |
|
|
Jackson, Anna |
Kimono |
2020 |
1 |
52/40/22 |
| 4 |
|
|
Nakamichi, Tomoko |
Pattern magic |
2012 |
1 |
52/46/3 |
| 5 |
|
|
Nakamichi, Tomoko |
Pattern magic 3. - Engl. ed (Nakamichi, Tomoko: Pattern magic ; 3) |
2016 |
1 |
52/46/2 Bd.3 |
| 6 |
|
|
Nakamichi, Tomoko |
Pattern magic (Nakamichi, Tomoko: Pattern magic ; 1) |
2010 |
2 |
52/46/2 Bd.1 2.Ex. |
| 7 |
|
|
Rout, Josephine |
Japanese dress in detail |
2020 |
1 |
52/40/19 |
| 8 |
|
|
Nakamichi, Tomoko |
Pattern magic 2 (Nakamichi, Tomoko: Pattern magic ; 2) |
2011 |
1 |
52/46/2 Bd.2 |
| 9 |
|
|
Qin, Zheng |
Applied typeface |
2015 |
1 |
23/20/52 |
| 10 |
|
|
English, Bonnie |
Japanese fashion designers |
2017 |
1 |
52/40/17 |
| 11 |
|
|
Eder, Thao Nguyen Anna |
Mickey in der Muschel |
2022 |
1 |
H/b/1561 |
| 12 |
|
|
Liotta, Salvator-John A. |
What is co-dividuality? |
2020 |
1 |
19/180/19 |
| 13 |
|
|
Bußmann, Philip |
Wabi Sabi |
2016 |
1 |
30/Buss/1 |
| 14 |
|
|
Schraivogel, Ralph |
The posters 1983 - 2012 |
2012 |
1 |
29/40/14 |
| 15 |
|
|
Kodaira, Masayoshi |
Masayoshi Kodaira, Naomi Hirabayashi, Manabu Mizuno, Eiji Yamada (Graphic wave ; 11.2006) |
2006 |
1 |
28/20/98 Bd.11 |
| 16 |
|
|
Tanida, Ichiro |
Ichiro Tanida, Ichiro Higashiizumi, Chi Morimoto (Graphic wave ; 10.2005) |
2005 |
1 |
28/20/98 Bd.10 |
| 17 |
|
|
Kudo, Aoshi |
Aoshi Kudo, Graph [i.e. Issay Kitagawa], Namaiki (Graphic wave ; 9.2004) |
2004 |
1 |
28/20/98 Bd.9 |
| 18 |
|
|
Sano, Kenjiro |
Kenjiro Sano, Nagi Noda, Kazunari Hattori (Graphic wave ; 8.2003) |
2003 |
1 |
28/20/98 Bd.8 |
| 19 |
|
|
Sago, Hitomi |
Hitomi Sago, Yasuhiro Sawada, Norito Shinmura (Graphic wave ; 7.2002) |
2002 |
1 |
28/20/98 Bd.7 |
| 20 |
|
|
Shibuya, Katsuhiko |
Katsuhiko Shibuya, Kazufumi Nagai, Kozue Hibino (Graphic wave ; 6.2001) |
2001 |
1 |
28/20/98 Bd.6 |
|
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