Hochschule für Gestaltung - Bibliothek

Titel

[000054103]

Frank, Robert: Good days quiet / Robert Frank. - First edition. - Göttingen, Germany : Steidl, 2019. - 64 ungezählte Seiten ; 21 x 26 cm ISBN 978-3-95829-550-6 Broschur in Behältnis : EUR 35.00 (DE), EUR 36.00 (AT)

NBN-Nr.: 18,N48

Frank, Robert ; Schwarzweißfotografie ; Familienalbum

In this, Robert Franks newest book, he both acknowledges and moves beyond his acclaimed visual diaries (2017), which juxtapose iconic photos from throughout his career with the more personal pictures he makes today and suggestive, often autobiographical text fragments. In Good days quiet Franks focus is life inside and outside his beloved weather-beaten wooden house in Mabou, where he has spent summers for decades with his wife June Leaf. Among portraits of Leaf, Allen Ginsberg and Franks son, are images of the houses simple interior with its wood-fuelled iron stove, humble furniture and bare light bulbs, as well as views of the land and sea by the house: snow-covered, windswept, stormy or lit by the dying sun. Franks Polaroids scanned for the book show various deliberate states of deterioration and manipulation at his hands, including texts that move from the merely descriptive (watching the crows) to the emotive (memories, grey seaold house / can you hear the music). As always in Franks books, his message lies primarily in the photos lyrical sequence, an influential approach to the photobook pioneered by and today well at home in his 93-year-old hands.

Ex.: 30/Fran/9

Titel

[000054103]
Frank, Robert: Good days quiet / Robert Frank. - First edition. - Göttingen, Germany : Steidl, 2019. - 64 ungezählte Seiten ; 21 x 26 cm ISBN 978-3-95829-550-6 Broschur in Behältnis : EUR 35.00 (DE), EUR 36.00 (AT)
NBN-Nr.: 18,N48
Frank, Robert ; Schwarzweißfotografie ; Familienalbum
In this, Robert Franks newest book, he both acknowledges and moves beyond his acclaimed visual diaries (2017), which juxtapose iconic photos from throughout his career with the more personal pictures he makes today and suggestive, often autobiographical text fragments. In Good days quiet Franks focus is life inside and outside his beloved weather-beaten wooden house in Mabou, where he has spent summers for decades with his wife June Leaf. Among portraits of Leaf, Allen Ginsberg and Franks son, are images of the houses simple interior with its wood-fuelled iron stove, humble furniture and bare light bulbs, as well as views of the land and sea by the house: snow-covered, windswept, stormy or lit by the dying sun. Franks Polaroids scanned for the book show various deliberate states of deterioration and manipulation at his hands, including texts that move from the merely descriptive (watching the crows) to the emotive (memories, grey seaold house / can you hear the music). As always in Franks books, his message lies primarily in the photos lyrical sequence, an influential approach to the photobook pioneered by and today well at home in his 93-year-old hands.

Ex.: 30/Fran/9

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