|
| # |
|
|
Autor▲▼ |
Titel▲▼  |
Jahr▲▼ |
Exp. |
Signatur |
|
| 1 |
|
 |
Sealy, Mark |
Photography |
2022 |
1 |
30/100/36 |
| 2 |
|
|
Sealy, Mark |
Decolonising the camera |
2019 |
1 |
30/100/35 |
| 3 |
|
|
Twain, Mark |
Der geheimnisvolle Fremde. - 1. Auflage |
2012 |
1 |
49/Twai/1 |
| 4 |
|
|
Speed, Mitch |
Mark Leckey |
2019 |
1 |
13/Leck/4 |
| 5 |
|
|
Bradford, Mark |
Mark Bradford - tomorrow is another day |
2017 |
1 |
13/Brad/2 |
| 6 |
|
|
Jegodzinski, Tim |
Tierliche Begegnungen |
2022 |
1 |
5/70/18 |
| 7 |
|
 |
Ravenhill, Mark |
Pool (no water) (Das Stück ; 2007/6) |
2007 |
1 |
Stück 53/Rave/3 |
| 8 |
|
|
Ravenhill, Mark |
Gestochen scharfe polaroids (Das Stück ; 2001/2) |
2001 |
1 |
Stück 53/Rave/2 |
| 9 |
|
|
Ravenhill, Mark |
Shoppen & Ficken (Das Stück ; 1998/3) |
1998 |
1 |
Stück 53/Rave/1 |
| 10 |
|
|
Medoff, Mark |
Wann kommst'n wieder roter Reiter? (Das Stück ; 1976/3) |
1976 |
1 |
Stück 53/Medo/1 |
| 11 |
|
|
Boulos, Mark |
Mark Boulos |
2017 |
1 |
13/Boul/1 |
| 12 |
|
|
Fisher, Mark |
Kapitalistischer Realismus ohne Alternative? |
2013 |
1 |
47/Fish/2 |
| 13 |
|
|
Fisher, Mark |
K-punk |
2020 |
1 |
47/Fish/1 |
| 14 |
|
|
Hill, Anita |
Mark Bradford |
2018 |
1 |
13/Brad/1 |
| 15 |
|
|
Mark, Mary E. |
Tiny |
2015 |
1 |
30/Mark/4 |
| 16 |
|
|
Fugger, Laura Jil |
Die Ästhetik der Anordnung |
2018 |
1 |
H/b/1385 |
| 17 |
|
|
Bockemühl, Michael |
Bildrezeption als Bildproduktion |
2016 |
1 |
2/10/176 |
| 18 |
|
|
Dion, Mark |
Natural history and other fictions: an exhibition by Mark Dion |
1997 |
1 |
13/Dion/5 |
| 19 |
|
|
Leckey, Mark |
Mark Leckey - On Pleasure Bent |
2014 |
1 |
13/Leck/3 |
| 20 |
|
|
Lammert, Mark |
Bühnen Räume Spaces |
2013 |
1 |
53/Lamm/1 |
|
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