|
| # |
|
|
Autor▲▼ |
Titel▲▼  |
Jahr▲▼ |
Exp. |
Signatur |
|
| 1 |
|
 |
Lee, Pei-Chin |
Der Beginn der Apokalypse |
2024 |
1 |
H/b/1659 |
| 2 |
|
|
Amidi, Amid |
The art of Pixar |
2011 |
1 |
31/120/45 |
| 3 |
|
|
Okun, Jeffrey A. |
The VES handbook of visual effects. - 2nd Ed. |
2015 |
1 |
31/80/151 |
| 4 |
|
|
Kerlow, Isaac V. |
The art of 3D. - 4. ed. |
2009 |
1 |
29/100/54 |
| 5 |
|
 |
Kaufman, Charlie |
Anomalisa |
[2016][2016] |
1 |
Medienschrank 31/Kauf/2 |
| 6 |
|
|
Beckman, Karen |
Animating Film Theory |
2014 |
1 |
31/120/42 |
| 7 |
|
|
Withopf, Claus |
(In)glorious Filmbasterds. (Video Talks ; 93) |
2014 |
1 |
Medienschrank Offenbach a.M. 15/Hoch/160 T.93 |
| 8 |
|
 |
Mit Beiträgen von Suzanne Buchan... |
Animationsfilm (Montage AV ; 2/2013) |
2013 |
1 |
32/100/8 Heft 2/2013 |
| 9 |
|
|
Alger, Jed |
The Art and Making of ParaNorman |
2011 |
1 |
31/120/39 |
| 10 |
|
|
Priebe, Ken A. |
The Advanced Art of Stop-Motion Animation |
2011 |
1 |
31/120/38 |
| 11 |
|
|
Schneider, Sonja |
Stop-Motion-Animation |
2012 |
1 |
31/120/37 |
| 12 |
|
|
Guest edited by William Brown and Jenna Ng. |
Special Issue: Avatar (Animation ; 7/3) |
2012 |
1 |
31/120/36 3/2012 |
| 13 |
|
|
Finke, Tim |
Informotion |
2012 |
1 |
29/130/5 |
| 14 |
|
|
Ullrich, Björn |
Zwischen Trick und Wirklichkeit |
2009 |
1 |
H/b/1095 |
| 15 |
|
|
Webster, Chris |
Animation |
2005 |
1 |
31/80/113 |
| 16 |
|
|
Heller, Steven |
Teaching motion design |
2008 |
2 |
29/110/39 2.Ex. |
| 17 |
|
|
Fontaine, Philippe |
Adobe After Effects 7 |
2006 |
1 |
31/80/98 |
| 18 |
|
|
Taylor, Angie |
Creativ after effects 7 |
2006 |
1 |
31/80/78 |
| 19 |
|
|
Asanger, Andreas |
Cinema 4D 9 Studio |
2005 |
1 |
31/80/95 |
| 20 |
|
|
Dobbert, Tim |
Matchmoving |
2005 |
1 |
31/80/94 |
|
Hochschule für Gestaltung Offenbach am Main
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