Titelsatz
In den Korb  |  Speichern
 
Anzeigeformat
Standard  |  Feldnummern  |  Katalogkarte
Satz 4 von 41120  
   

Who can afford to be critical?: an inquiry into what we can't do alone, as designers, and into what we might be able to do together, as people
Inhaltstyp (RDA) Text
Medientyp (RDA) ohne Hilfsmittel zu benutzen
Datenträgertyp (RDA) Band
1. Person/Familie Matos, Afonso [HerausgeberIn]
2. Person/Familie Lorusso, Silvio [VerfasserIn]
3. Person/Familie Brown, J. Dakota [VerfasserIn]
4. Person/Familie D'Aprile, Marianela [VerfasserIn]
5. Person/Familie Bhatt, Somnath [VerfasserIn]
6. Person/Familie Aubert, Danielle [VerfasserIn]
1. Körperschaft Evening Class
Titel Who can afford to be critical?: an inquiry into what we can't do alone, as designers, and into what we might be able to do together, as people
Verantw.-ang. Afonso Matos, editor ; Silvio Lorusso, J. dakota Brown, Marianela D'Aprile, Somnath Bhatt, Danielle Aubert, Jack Henrie fisher, Alan Smart, Greg Mihalko, Evening Class
Auflage First edition
Verlagsort (RDA) Eindhoven
Verlag (RDA) Set Margins'
E-Jahr 2022
E-Jahr (RDA) 2022
Umfangsangabe 90 Seiten : Illustrationen
Formatangabe 21 cm
Titel der Serie Set Margins ; 11
Weitere Angaben Umschlagtitel
ISBN 978-90-832706-3-0 paperback
ISBN 90-832706-3-7
Bezugswerk Inhaltsverzeichnis
Bezugswerk Inhaltsverzeichnis
Schlagwort / lok. Design / Politik
Schlagwort / lok. Gesellschaft / Ökonomie
Schlagwort / lok. Kritik
Schlagwort / lok. Arbeitswelt / Zukunft
Schlagwort / lok. Kunsthochschule / 21. Jahrhundert
Inhaltliche Zsfg. "Critical Designers' produced by an increasing number of design schools are prompted to address social, political and environmental issues through their practices. Yet, who can afford to continue such effort after graduation? In a dynamic style holding multiple voices, Who Can Afford To Be Critical? discusses the limits that affordability, class and labour impose upon the educational promise of holding a 'critical' practice. Why do we tend to ignore the material and socioeconomic constraints that bind us as designers, claiming instead that we can be powerful agents of change? In fact, where does our agency lie? Instead of focusing on the dream of ethical work under capitalism, could we, instead, focus first on designers' own working conditions, targeting them as one immediate site for collective action? And can we engage politically with the world not necessarily as designers, but as workers, as activists, as citizens?" --Publisher's website (viewed March 9, 2023)
Bestand 1
Sign-Info 45/100/116

Hinweise zur Anzeige im Standardformat:

© 2023 Ex Libris (Deutschland) GmbH