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Damage control: art and destruction since 1950 ; [... in conjunction with the exhibition "Damage Control: Art and Destruction Since 1950" ... ; Hirshhorn Museum and Sculpture Garden, Washington DC, October 24, 2013 - May 26, 2014 ; Musée d'Art Moderne Grand-Duc Jean, Mudam, Luxembourg, July 5 - October 12, 2014 ; Kunsthaus Graz, Austria, November 15, 2014 - March 15, 2015]
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1. Person/Familie Brougher, Kerry [Mitarb.]
1. Körperschaft Hirshhorn Museum and Sculpture Garden <Washington, D.C.>
2. Körperschaft Musée d'Art Moderne Grand-Duc Jean
3. Körperschaft Kunsthaus <Graz>
4. Körperschaft Exhibition Damage Control <2013-2015, Washington, DC u.a.>
Titel Damage control: art and destruction since 1950 ; [... in conjunction with the exhibition "Damage Control: Art and Destruction Since 1950" ... ; Hirshhorn Museum and Sculpture Garden, Washington DC, October 24, 2013 - May 26, 2014 ; Musée d'Art Moderne Grand-Duc Jean, Mudam, Luxembourg, July 5 - October 12, 2014 ; Kunsthaus Graz, Austria, November 15, 2014 - March 15, 2015]
Verantw.-ang. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. Kerry Brougher ...
Weitere Sachtitel Radiation made visible
Weitere Sachtitel Sixty years of ambivalence
Verlagsort München u.a.
Verlag DelMonico Books, Prestel
E-Jahr 2013
Umfangsangabe 224 S. : zahlr. Ill.
Formatangabe 285 x 245 mm
Weitere Angaben Literaturverz. S. 219 - 223
Ang. z. Inhalt Radiation made visible / Kerry BrougherThe show is over / Russell Ferguson. Sixty years of ambivalence / Dario Gamboni.
ISBN 978-3-7913-5316-6
Link-Text Inhaltsverzeichnis
Bezugswerk Inhaltsverzeichnis
Bezugswerk 80
Schlagwort / lok. Zerstörung / Kunst
Schlagwort / lok. Dekonstruktion / Kunst
Inhaltliche Zsfg. Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
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