Titelsatz
In den Korb  |  Speichern
 
Anzeigeformat
Standard  |  Feldnummern  |  Katalogkarte
Satz 1 von 2  
   

The Harlem Renaissance and transatlantic modernism
Inhaltstyp (RDA) Text
Inhaltstyp (RDA) unbewegtes Bild
Medientyp (RDA) ohne Hilfsmittel zu benutzen
Datenträgertyp (RDA) Band
1. Person/Familie Murrell, Denise [HerausgeberIn]
1. Körperschaft The Metropolitan Museum of Art <New York, NY>
Titel The Harlem Renaissance and transatlantic modernism
Verantw.-ang. edited by Denise Murrell
Verlagsort (RDA) New York
Verlagsort (RDA) New Haven ; London
Verlag (RDA) The Metropolitan Museum of Art
Verlag (RDA) Yale University Press
E-Jahr (RDA) 2024
E-Jahr (RDA) 2024
Umfangsangabe 331 Seiten
Formatangabe 29 cm
Weitere Angaben Catalog of an exhibition at The Metropolitan Museum of Art, New York, from February 25, 2024-July 28, 2024
Weitere Angaben Includes bibliographical references (pages 304-317) and index
ISBN 978-1-58839-773-7
Bezugswerk Inhaltsverzeichnis
Schlagwort / lok. Afro-amerikanische Kunst
Schlagwort / lok. Modernismus / Kunst
Schlagwort / lok. 20-er Jahre / 30-er Jahre / Kunst
Inhaltliche Zsfg. "In the 1920s and '30s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume examines for the first time the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher. Featuring artists such as Aaron Douglas, Archibald Motley, and William H. Johnson, who synthesized the expressive figuration of the European avant-garde with the aesthetics of African sculpture and folk art, this publication also includes works by lesser-known contributors who took a radically new approach to depicting Black subjects with dignity, interiority, and gravitas. This reframing of a celebrated cultural phenomenon shows how the flow of ideas through Black artistic communities on both sides of the Atlantic contributed to international conversations around art, race, and identity while helping to define our notion of modernism."
Bestand 1
Sign-Info 8/75/13

Hinweise zur Anzeige im Standardformat:

© 2023 Ex Libris (Deutschland) GmbH