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Hélio Oiticica: to organize delirium
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1. Person/Familie Oiticica, Hélio [KünstlerIn]
2. Person/Familie Zelevansky, Lynn [HerausgeberIn]
3. Person/Familie Sussmann, Elisabeth [HerausgeberIn]
4. Person/Familie Rondeau, James [HerausgeberIn]
5. Person/Familie De Salvo, Donna M. [HerausgeberIn]
6. Person/Familie Brodbeck, Anna Katherine [MitwirkendeR]
1. Körperschaft Carnegie Museum of Art <Pittsburg>
2. Körperschaft Whitney Museum of American Art <New York>
3. Körperschaft Art Institute <Chicago, Ill.>
Titel Hélio Oiticica: to organize delirium
Verantw.-ang. Lynn Zelevansky, Elisabeth Sussman, James Rondeau, Donna De Salvo with Anna Katherine Brodbeck ; with contributions by Martha Scott Burton, Frederico Coelho, Max Jorge Hinderer Cruz, Sérgio B. Martins, Adele Nelson, Irene V. Small, Guilherme Wisnik ; Carnegie Museum of Art, Pittsburg, The Art Institute of Chicago, Whitney Museum of American Art, New York
Verlagsort (RDA) Munich ; London ; New York
Verlag (RDA) DelMonico Books/Prestel
E-Jahr 2016
E-Jahr (RDA) [2016]
Umfangsangabe 320 Seiten
Formatangabe 29 cm
Weitere Angaben "This catalogue was published on the occasion of the exhibition 'Hélio Oiticica: To Organize Delirium' ... Carnegie Museum of Art, Pittsburgh, October 1, 2016-January 2, 2017, The Art Institute of Chicago, February 19-May 7, 2017, Whitney Museum of American Art, New York, July 14-October 1, 2017" - Rückseite der Titelseite
Weitere Angaben Literaturverzeichnis: Seiten 299 - 301
ISBN 978-3-7913-6660-9 : paperback
ISBN 978-3-7913-5522-1 : hardback
Link-Text Inhaltsverzeichnis
Bezugswerk Inhaltsverzeichnis
Schlagwort / lok. Oiticica, Hélio
Inhaltliche Zsfg. "This catalogue accompanies the first full US retrospective of the Brazilian artist Hélio Oiticica (1937-1980) in over two decades, organized by the Carnegie Museum of Art. It explores Oiticica's most acclaimed works, such as the "Parangolés" and the installation "Tropicália," as well as his involvement with music, literature, and response to Brazilian politics and the social environment. Essays by US and Latin American writers cover the entirety of his career, from his immersion in the 1960s counterculture to his life and work in New York City and final return to Rio de Janeiro, with special emphasis on his New York period between 1971 and 1978"--
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