Photography, representation and jazz.1.On being in limbo ;2.Moments outside the frame ;3.On Joy Gregory, Autoportrait (1989-90) ;4.The decolonial logic ;5.The Memory of Hope (2017) by Aïda Muluneh ;6.On Wilfred Ukpong --Human rights, human wrongs.7.Disposable people: contemporary global slavery ;8.Beyond the lens ;9.The event in focus (is not over) ;10.Notes on Towards a Promised Land (2005-06), by Wendy Ewald ;11.The canvases of representation and the photographs of Nontsikelelo Veleko ;12.Label cultural baggage --Black Atlantic.13.Ward four and more ;14.James VanDerZee: Harlems black photographer ;15.When existence alone is constant torture ;16.A note from outside, on Rotimi Fani-Kayode ;17.A gathering of souls ;18.On Faisal AbduAllah --Future-facing people.19.Critical conjunctures ;20.Every photograph has a story ;21.Between feeling and time: Brent in the 1980s and 1990s ;22.On John Goto ;23.Masterji: the photographs of Maganbhai Patel ;24.The triumph of optimism --Experiments with time.25.From Here to Eternity (1999) ;26.Absence and presence: the work of Oscar Muñoz ;27.Drowning World (2007-2018) by Gideon Mendel ;28.Travelling backwards ;29.Waiting ;30.Nothing is forever --Photography: promises to make a revolution.31.In five short acts ;32.Lumumba framed in colonial time ;33.The photographs of Eustáquio Neves ;34.What have we done with the image of Africa? ;35.Les Bijoux I-IX (2002), Maud Sulter ;36.How does the south appear on empires art map?
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